The Making of an International Drama

The Making of an International Drama

This time every year London plays host to the international drama industry. Producers, broadcasters and commissioners from around the world come together to do business and discuss what makes great TV at C21’s International Drama Summit. So what are the challenges facing international drama producers?

During an in-depth panel about TV drama development, Jill Green, Chief Executive at Eleventh Hour Films said:

“The perfect partnership for a co-production doesn’t come along very often. The challenge for indies [like us] is making that partnership work on an international scale.”

Judging from the audience’s reaction, it’s a sentiment felt industry-wide.

This week, we had the pleasure of announcing an exciting international development and distribution deal between Eleventh Hour Films and Sony Pictures Television International Production. A UK and US collaboration that tells a story from British history, set on a US air base, it ticks all the right boxes for an international partnership.

Rendlesham is a compelling and emotional family drama inspired by the real-life UFO incident which took place at a US air base close to the village of Rendlesham, Suffolk in 1980. The series plays out against the height of the Cold War, exploring themes which resonate stronger than ever today.

With award-winning writer and director Joe Ahearne confirmed to helm the show – it also goes to show that great talent is key to making great international drama come to life.

The Rendlesham announcement coincided with the opening day of the Drama Summit, and was received with applause during sessions featuring Sony’s Wayne Garvey and Eleventh Hour Film’s Jill Green. With a full sweep of coverage across the board in Variety, Deadline, The Hollywood Reporter, Broadcast, C21 and Worldscreen – the news has made an impact for Eleventh Hour at a key time in the industry calendar.

Making news count at MIPCOM

Making news count at MIPCOM

It’s the busiest time of the year for the TV industry. And our press office is no exception! Everyone wants to make an impact at market and we’ve been busy doing just that for our clients, announcing some of the biggest deals that happened at MIPCOM. Here’s what we’ve been working on:

Shellhut and Tiny Island Pictures sign record 10 feature film MOU with Shanghai Media Group’s Wingsmedia

The biggest animation film cooperation deal took place between Thailand’s Shellhut Entertainment and Singapore’s Tiny Island Productions earlier this month. Both companies signed on a 10-feature film co-production with MOU and WingsMedia, a member of Oriental Pearl Group and Shanghai Media Group. Valued at an estimated USD$250 million, this is the first ever China-Singapore-Thailand animation co-production! Following a buzzing press conference at MIPCOM, news of the deal was covered in Variety, C21, MIP Daily, The Hollywood Reporter, Content Asia, Animation magazine to name but a few.

Komixx secures worldwide rights to Wattpad sensation ‘Captured’ by Kelly Anne Blount

Independent film and TV producer, Komixx Entertainment announced it has optioned the worldwide screen rights to electrifying young adult thriller novel Captured; the debut novel from award winning author Kelly Anne Blount with more than 15.6 million reads worldwide on Wattpad. Captured builds on Komixx’s reputation as a leading producer of exciting YA TV and film adaptations internationally. With the announcement featuring prominently in The Bookseller, C21, Variety and the Variety newsletter on the first day of MIPCOM – Komixx is fast becoming known as the leader in identifying content to surprise the YA generation.

Talesmith explores the history of Earth in spectacular new documentary for ZEEL and Smithsonian Channel

High-end, specialist factual production company Talesmith has been commissioned by Zee Entertainment Enterprises LTD (ZEEL) and Smithsonian Channel to produce the incredible Life of Earth: From Space and Life of Earth: The Age of Humans. A world-first collaboration between Talesmith, ZEEL and the Smithsonian Channel – this spectacular two-hour 4K/UHD feature documentary delves into the planet’s extraordinary 4.5 billion-year old history as never seen before. With coverage in the MIP Daily, Realscreen, C21, TBI, Worldscreen and TV Asia – this was one announcement making history at MIPCOM.

Smithsonian channel™ renews hit series ‘America in Color’ from Arrow Media

Arrow Media has been re-commissioned to produce six new hour-long episodes of its hit series America In Color by the Smithsonian Channel. The series, which first premiered in July, presents iconic moments in U.S. history as never seen before – using artistry, an expert colorizing team and cutting-edge technology to transform black-and-white films and photographs into vibrant 4K color. The announcement appeared in Televisual, Realscreen and C21 at an important time during the market to help Arrow make an impact.

Channel 5 orders second season of Naked Entertainment’s ‘Celebrity 100% Hotter’ 

London-based Naked Entertainment, the production company creating bold, innovative factual and entertainment programming, chose MIPCOM to announce its extreme-make-under format 100% Hotter has been commissioned by Channel 5 for a second celebrity spin-off series. Following the success of the first series, which almost doubled the broadcaster’s primetime average among 16-34 year olds, the four hour-long episodes will air in January 2018.  C21, Worldscreen and Realscreen all covered the news with enthusiasm!

TV Azteca and Keshet International join forces in scripted co-development deal for Mexico market

Keshet InternationalKeshet International announced a scripted deal to co-develop and produce a new original Spanish-language super series (60 episodes) to air on TV Azteca. The series will be developed under the KI banner and co-produced in house with TV Azteca and set to launch in 2018. Keshet International will distribute the series globally. With widespread coverage across the board in Variety, Rapid TV News, Hollywood Reporter, Deadline, Worldscreen, TBI and C21 – the news comes during a period of tremendous growth for KI in Latin America.

Until next year MIPCOM…

A UK PR in Paris…

A UK PR in Paris…

Last month we ventured to Paris for Series Mania – the co-production event for scripted producers, and it was buzzing. Now in its eighth year, Series Mania is less about selling TV and more about celebrating the creative talent off-screen and nurturing co-production relationships.

Co-producing with partners that can add real value has become more important to a show’s success. Gone are the days where you would receive a healthy commission from a broadcaster to make a show and a good advance from your distributor, plus additional amounts of income from sales. Although having a broadcaster on-board remains somewhat critical, a production may also need co-pro partners that bring something in addition to finance to the table. It could be a different cultural perspective – resulting in a broader appeal amongst audiences, or it could be a fantastic showrunner, casting relationship, a location genius, a rocking writing-room, a relationship with broadcasters in a different territory, a stockpile of the latest hardware, a fantastic post-facility or just a different way of working.

Series Mania has a different vibe to other events we attend. It’s more creative, with producers discussing the challenges of a second series, how networks can kill a show, or even why Nordic comedy travels. There’s also a full day of experienced production companies from all over Europe pitching their show concept on stage in front of the industry – all looking to forge alliances to get their projects off the ground.

The organisers did an amazing job too in looking after us delegates. Hospitality really makes such a difference and we were spoilt with drinks at the jawdroppingly gorgeous gilt-laden Hotel de Ville, followed by dinner the next day at The Museum of Natural History.

Throughout the whole event, it was refreshing to see the top European production companies building relationships with their UK counterparts.

Great relationships have to start somewhere and Paris definitely isn’t a bad backdrop. Who knows where they may end up?

By Sophie Naylor, Managing Director at Franklin Rae.